What we're watching tonight:

• TBS (1080i) lines up The Bill Engvall Show at 9 p.m. followed by My Boys at 9:30 p.m.
• USA (1080i) brings Burn Notice at 10 p.m.
• NBC (1080i) has Fear Itself at 10 p.m.
• CBS (1080i) slides Flashpoint into its new day at 10 p.m.
• ABC (720p) has Hopkins at 10 p.m.
• TLC (1080i) tosses in American Chopper at 9 p.m. and Miami Ink at 10 p.m.
• History (1080i) has The Works at 10 p.m.
• Speed (720p) has Wrecked at 10:30 p.m.
• ESPN (720p) presents the 2008 MLS All-Star Game at 7 p.m.
• ESPN2 (720p) has Dale Jr. - Shifting Gears at 7 p.m.

There are plenty of people out there that couldn't care less if HD programming continued to flow over component connections. To some, it is just seen as an outdated technology that deserves to die. So it's no surprise that some big names like DirecTV and AT&T recently told the FCC that they couldn't care less either, but this is mostly because they are more interested in offering some Hollywood movies a few weeks early, than ensuring their customers can use their connection of choice. Funny though, not everyone agrees, we particularly liked the stance of the National Association of Theater Owners which believe that if new movies were offered earlier, it is sure to kill the theater business -- boy, we never heard that one before. The only entity out there who did seem to be on the same page as us was the Consumer Electronics Association, who called SOC a "blunt instrument" to which they see many opportunities for abuse. TiVo seemed to have the most level headed approach though, which was, let 'em try it, and if it's abused (aka used for something other then new movies) then repeal it -- just so long as the content works on TiVo devices, of course.

Just moments after ABI Research published a report suggesting that all-in-one PCs and internet TV would invigorate the HTPC market comes something similar from Forrester Research. Its latest analysis suggests that the growing trend of maintaining files rather than physical discs could give home media servers a significant boost. Essentially, HTPCs and home storage / networking devices could become entirely relevant as digital downloads become more common and physical media fades out. Granted, we're a firm believer that said scenario is still years away from happening, but we don't doubt that this prophecy will be realized in due time. As it stands, only around 400,000 US households posses a home server, suggesting that the market is just barely in its infancy. Forrester says that figure will grow to 4.5 million by 2012 -- we've got 3.5 years to find out.

For what it's worth, Buffalo just announced the world's fastest Blu-ray recorder capable of burning through your data at an 8x clip. The only problem is that BDA-approved media maxes out at 6x, assuming you can even find it. Available in Japan starting next month, the external USB 2.0 and eSATA BR-816SU2 and internal SATA BR-816FBS models hit that 8x recording speed on single-layer BD-R media only -- 2x for dual-layer BD-R, BD-RE, and LTH BD-R. CDs and DVDs are supported too naturally, with a max 16x burn to DVD±R or 48x/24x for CD-R/RW. Each drive comes bundled with Cyberlink's PowerDVD 7 suite and are priced at ¥46,700 (about $435) for the external drive or ¥41,000 (about $380) for the internal optical spinner.

[Via BIOS and CDRinf]

While Smithsonian Channel has been toiling away trying to get its station on more carriers, the time has finally come for it to focus on more original programming for the providers that already have it. This summer, producers of Aerial America will set out to record each of the 50 states from high, high above, while other originals will include "Sound Revolution, a music series hosted by Morgan Freeman; The Vampire Princess, a special on the true inspiration for Bram Stoker's Dracula; and an ambitious BBC co-production about Stonehenge." For more on what's next on Smithsonian, check out the read link -- looks like the next year or so should be chock full of treats.

We're not saying it can't be done, but you should have some considerable trouble managing to run out of room for your expertly-shot, highly-narrative vacation antics with Hitachi's new DZ-BD10H camcorder, which records 1080p HD video to Blu-ray discs or to its built-in 30GB hard drive. There's even an SD slot, which we aren't positive you can record video to, but it's a fair guess. Other specs include a 2.7-inch LCD and a 10x optical zoom. Price should be around $1,500 when it hits Japan on August 9, but no solid word on a US berth just yet.

Check it, Onkyo fans -- your main outfit has just revealed two new AV receivers and a pair of HTIB systems, so we're going to get right down to it. Both the $1,099 TX-SR806 (pictured) and $899 TX-SR706 receivers are THX certified and include Faroudja DCDi video processing capabilities, Audyssey room acoustics correction and Dynamic EQ, and Onkyo's Music Optimizer. You'll also find at least four HDMI 1.3a ports and 1080p upscaling. Moving on, we've got the $899 HT-S7100 and $799 HT-S6100 HTIB systems, each of which include a receiver, seven-channel loudspeaker system, a powered subbie and an obligatory iPod dock. Check the read link for more details and ship dates.

With the aim of putting making Blu-ray accessible for smaller studios, Sony Creative Software has released the BAE-VX1000 encoder for disc authoring. $55,000 buys a system capable of analyzing a film automatically and offering multiple bit rate versions to be compared later, or frame by frame encoding. The finished product comes out in either h.264 or MPEG-2 form (what, no VC-1?) and it works on varying setups from one to many PCs or servers depending on what a studio can afford. Of course, it's the perfect match for Sony's Blu-print software (now up to version 4.3) or other authoring applications, we'll wait for prices to get a bit more affordable before cranking out the next Behind the Scenes at CES boxed set, but for the pros it might be worth it to get the same tools Sony Pictures uses.

There are media servers, and then there is Hantech's Markus 800. Easily one of the most beastly and port-filled units we've seen, this high-end media center supports true 1080p output via HDMI and includes a pair of USB 2.0 ports to host lots of local storage. Recently, the unit was taken for two spins over at CD Freaks, and while each reviewer had their own way of saying it, the unit was deemed pretty solid overall. Design and 720p playback were both praised, while the remote was called a "rush job" and 1080p playback seemingly struggled. At €279 ($440), it's hard to recommend for Americans who can easily find similar alternatives for hundreds less, but those in Europe may want to take a closer look.

Even we would agree that digital downloads aren't apt to siphon away a significant amount of physical media market share in the immediate future, but a recent survey conducted by CinemaNow (read: your skeptic hat should now be firmly in place) suggests that the vast majority of Americans feel otherwise. As a matter of fact, 87% of those surveyed agreed that "renting DVDs at the video store or through mail service will become a thing of the past," and 94% of those same folks reportedly felt that movie downloads were just "better for the environment." Not like the average joe / jane understands how much energy is consumed by warehouses full of drives, gigantic air-conditioned server rooms and legions of PCs sucking down content, but yeah, these results are totally representative of the truth.

[Image courtesy of Street Knowledge]

Although Raleigh, North Carolina is set to become one of the first DVB-SH test markets in America, WRAL is already testing out yet another standard. The station known nationwide for taking its local newscasts to the world of HD while everyone else sat and moped in their SD control rooms is currently teaming with CBC in order to test out the ATSC-compatible MPH mobile television transmission system. As we've seen before, the system enables "local broadcasters to deliver digital television to mobile devices including cellphones, laptops and personal media players," all while moving quickly in vehicles, hoverboards, rocket-powered scooters -- you name it. There's no word on what exactly will happen once the trials conclude, but we'll be keeping an ear to the ground just in case it's something big.

[Via BroadcastingCable]

What we're watching tonight:

• Sci Fi (1080i) has Ghost Hunters International at 9 p.m. followed by Scare Tactics at 10 & 10:30 p.m.
• History (1080i) brings MonsterQuest at 9 p.m.
• Bravo (1080i) has Shear Genius at 10 p.m.
• TBS (1080i) has Tyler Perry's House of Payne at 10 & 10:30 p.m.

Before you unload $2,995 on anything, you're likely going to want the opinion of someone who has had a chance to try things out beforehand, no? Working under that assumption, we present to you a review of Meridian's stratospherically priced F80. Proudly called "the most expensive tabletop music system in the history of the civilized world," this unit was seen as a "model for all tabletop systems," with the reviewer even begging everyone else to look at this before starting up design on yet another ho hum alternative. The critic also noted that this unit pulled off what he thought was impossible: "identifiable left- and right-channel sound from a system that measures only 16-inches wide." As expected, the F80 was indeed the "best" he had ever heard in this category, but the omission of an iPod dock was a sore spot. For those with more disposable income than they know what to do with, this one seems a surefire winner; for everyone else, it's not worth going into debt over.

One of the many reasons our killer Captain EO home theater setup hasn't become a reality yet is because even with more than a few kinds of 3D HDTV equipment on shelves, there's no standard that guarantees that next Hannah Montana Blu-ray disc will be able to take advantage of it. The SMPTE hopes to change all of that, establishing a task force (has anyone asked the 3D@Home Consortium how they feel about it?) with the mandate of creating a standard for 3D "content distributed via broadcast, cable, satellite, packaged media and the Internet and played-out on televisions, computer screens and other tethered displays". The Society of Motion Picture and Television Engineers are the fine people behind nearly every way you currently experience AV at home, so after the inaugural meeting August 19 and six months to create a report (EE Times notes actually setting a standard could take 18-30 months, so don't move the furniture yet), really all that's left is to explain our Michael Jackson infatuation.

[Via EE Times]

Research firm Parks Associates is calling for double digit (just) compound annual growth rate (CAGR) in the universal remote category between now and 2013. Knowing how the average consumer is more willing to live with a basket of remotes than plunking down money on a universal model, the 10-percent CAGR is nothing to sneeze at. We're a little troubled by the trend of increasing system complexity called out in the report, however. While we're resigned to ever-increasing complexity in AV systems, average consumers would really like to see things head in the other direction. Hiding the complexity in the remote also tends to make remote set-up complex, which will definitely threaten that growth rate. Also, the report doesn't cal out technologies like HDMI-CEC, which we'd really like to see take off. These gripes aside, though, we're hoping that remote makers take the findings as an incentive to innovate.