Until now, if you were a "separates-only" sort of person with a yen for Anthem gear, the only way to get room correction for your audio was to spring for a Statement D1 or D2 preamp-processor. And wouldn't you know, the "Statement" name doesn't come with a budget price. But now the Anthem Room Correction (ARC) feature has come downstream to the AVM 40 and D50 preamp-processors. Granted, with Anthem gear "downstream" is a relative term, but we've to figure that if you're going the separates route then pricing isn't the biggest concern for you. One thing we do like seeing is that this new functionality is being made available to all AVM 40 and 50 owners as a retrofit. Now when was the last time your "future-proof" receiver got an upgrade like that?

One thing's for sure: DLO's pretty attached to its HomeDock brand, and evidently it could care less about just how confusing these naming schemes are to customers. Let's clear some cobwebs real quick -- this isn't the HomeDock Pro, nor is it the HomeDock HD. Rather, it's the HomeDock HD Pro, a glorious combination of the two (or something). Aimed at home theater enthusiasts and home installers alike, this upscaling iPod dock takes stored content to 720p or 1080i over HDMI, and you'll also find an HDMI extension socket, optical digital audio port, RS-232 control connector and IR output for supporting universal remotes. Expect this one to set you back $399 when it arrives this fall. Full release after the jump.

Cary Audio Design's Cinema 11v video processor was shown off at last year's CEDIA, but it's finally getting its debut party at CEDIA 2008 next week. Don't think the unit hasn't been busy, though -- in the interim, it's been doing some kind of sci-fi time travel shenanigans and picked up a "2008 Product of the Year" award. Leaving aside the issue of general availability, we thought there were plenty of days left in the year. The Faroudja DCDi-powered unit promises to be the "highest-performing video scaler/switcher/processor available," which we think the folks at Silicon Optix might take issue with. The Cinema 11v certainly looks a treat (in a simple way), and sports six HDMI 1.3 inputs and a pair of outputs that can pump out a 120-Hz, 1080p signal sourced from composite, component, RGB or HDMI inputs.

[Via Widescreen Review]

Read - Cinema 11v wins award [PDF link]

There aren't too many audiophile firms that really take a whole-systems approach, but Naim has been at it for years. The firm is adding new models to its whole-home audio systems, but sadly for us, the pricing is pretty much the same -- too expensive. New to the NaimNet music server lineup are the NS01 ($6,800), NS02 ($7,900) and the NS03 ($9,575). For your dollars, you get one-touch CD ripping, an easy-to-use UI, database information from AMG, support for six simultaneous streams and storage of your precious bits on mirrored 400GB drives. Oh yeah, and the system will offer up non-DRM'ed music files on your plebian networked or USB-attached devices, too. Having spent some time with Naim equipment, we're not complaining about the functionality or build quality, but these prices make us consider Sonos, Slim Devices, Apple, or even sprinkling dedicated PCs throughout the house.

Coaxial cabling has long since been viewed as a premiere option for passing along high-def content within the home. After all, in most places it's already neatly installed within the walls. The High-Definition Audio-Video Network Alliance (HANA) has announced its intentions to release a HANA Entertainment Box reference design based on the new (UWB-based) 1394 Over Coax standard; products based on said design will enable consumers to "download HD content from any broadband connection or HD cable set-top-box and watch it in any room in their home with a coax jack and a remote control." HANA is hoping to have the reference design and initial prototypes out the door in Q4, though we wouldn't hold our breath.

You know what time it (almost) is, so you'll be prepared to handle a whole new breed of TV mounts as well. With CEDIA upon us, Chief Manufacturing and Sanus are both rolling out the same automatic motorized tilt mount, though it'll be dubbed LT15 for Chief and CM8 for Sanus. Put simply, this was designed for folks who want / need to mount their set higher than eye level. Upon receiving a signal via optical cable that the set was turned on, it automatically tilts the unit downward in order to give everyone a better view. Surprisingly, the asking price on this is just $299, which -- all things considered -- isn't half bad.

These are primarily for the pros, so we'll keep it short and sheet. RTI is getting set to unveil a trio of new products at CEDIA, the first of which routes eight analog audio and eight composite video sources to eight individual zones. Needless to say, that's the A8 Audio Distribution Matrix Switcher we're referring to. The V6 Video Distribution Matrix Switcher can switch six component and composite video sources between six varying zones, while the CP-1680 Multi-Channel Audio Amplifier provides audio through 16 channels at 80-watts each. Pricing has yet to be divulged, but feel free to venture on past the break for the whole release.

As the run-up to CEDIA continues, the no-names are coming out in force. Avoca is looking to make a splash in the residential music control system sector with its VIP Music Edition. A stiff $3,990.00 (and up) will buy you a sleek VIP Music Player, a wireless VIP Music Companion (read: a remote) and the company's own Say it-Play it control interface, which enables you to simply speak what artist you'd like to hear and have it played back instantly. The integrated CD player can automatically rip and store lossless copies of your jams, and the on-screen interface enables you to sift through and find whatever you're looking for. The system is all set to snag some limelight in Denver, though prospective buyers can find it at dealers right now. Full release after the jump.

While it was Pulse~LINK winning the last (but obviously not final) round of this multi-year tiff, the tables have turned once more. Tzero Technologies has just announced that the US Patent Office "issued an office action rejecting all claims of US patent number 6,970,448 asserted in a lawsuit brought by Pulse~LINK against Tzero in June 2007." This decision, coupled with a stay issued by the district court, will evidently bring the lawsuit to a close "for the foreseeable future." We're told that the legal struggles between the two are now officially over, but we're admittedly hesitant to believe it.

Parasound certainly has a contingent of audio-only fans amongst its customer list, but even the 2-channel crowd must get curious about all this recent multichannel craze that just isn't fading away. And that must be who the new P 7 preamplifier is targeted at. Either that or the company just really, really wants to define a new product category. In the case of the P7, that would be the "7.1-channel, analog-only preamplifier" category. The back panel tells the story on this unit -- a gaggle of RCA inputs (seven L/R stereo pairs and two 7.1-channel sets), with XLR and RCA outputs. No digital audio goes in, and none comes out. Bass management is done the old fashioned way, in the analog realm. Might we suggest that you spend that $2,000 on a "lowbrow" AV receiver instead? Just put it off to the side of your audio-only rig, right next to the popcorn. Let's face it -- you're slumming it with multichannel anyways, right?

Okay, it's not like we expect the typical McIntosh customer to exactly be clipping coupons, but the company is offering up some incentive to get owners to upgrade their gear. The new Trade-UP program credits owners 75-percent of the original MSRP as a trade-in on any working McIntosh amp, preamp, integrated amp or receiver, good towards the purchase of some of the company's newfangled gear. This is a limited time offer, so get to it. And if you're worried that any new McIntosh gear will look out of place, don't -- the same chrome, blue backlighting, analog meters and Olde English logos are still in use today. So yeah, this moves McIntosh ahead of our college textbooks, cars, most of our stocks and even our homes in terms of maintained value. Don't let anyone tell you you're wasting money on gear again.

[Image courtesy The High Fidelity Museum]

Realtek's found some additional horsepower for the next generation of DivX hardware, as its RTD1262/RTD1282 is the first to support 1080p DivX decoding as opposed from the 720p limitations on the previous solutions like the D-Link DSM-330. Designed for Networked Media Box and DVR STB applications, we're sure someone will find a box to wrap around this chip before long, although there's no word on exactly when it will be available to manufacturers. 1080p DivX DVR with support for streaming or local HDDs and USB devices? Yes, please.

It may be gettin' better, but it ain't getting any prettier. As the proper successor to Sony's DVDirect VRD-MC5, the all-black VRD-MC10 only looks marginally better than the original, but still has way too much 80s flair for our tastes. Sporting a 2.7-inch LCD, HDMI / component / composite outputs, a multicard reader, audio / video inputs, USB connectivity and support for just about every writable DVD still on the market, this unit was designed to burn your precious Handycam footage straight to DVD without any fuss (or formal editing procedures). Additionally, it could serve as your primary DVD player in a pinch, though the lack of BD functionality makes this a lot less attractive overall. We'll see if Sony keeps its "coming soon" promise; it's listed at a shockingly high ¥44,800 ($410).

[Via SonyInsider]

Update: Sony pinged us to say that this model will not be replacing the MC5, and it will only play back DVDs that it creates.

You know how it goes with Sony -- proprietary just seems to rule the roost. Thankfully, the outfit is at least recognizing a trend in the market by trotting out an iPod-friendly version of its S-AIR wireless audio technology. The new S-AIRPLAY system (formally known as AIR-SA20PK) comes with one iPod docking station and a pair of S-AIR wireless speakers, though there is an AM / FM tuner built in should your stored jams get stale. Sony suggests that music can be beamed some 164-feet away from the dock sans cabling, and so long as your S-AIR speaker is plugged into a power outlet (and within the aforementioned range), it'll pick up the signal and start talkin'. Look for the kit to land next month for around $400, while additional S-AIR wireless speakers will set you back $130 apiece. Full release after the break.